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Have Another #5 Pictures

Tuesday, January 18, 2011 Leave a Comment

(Photo by Isaiah Tanenbaum. Pictured: Mike Mihm and surprise cameo artist Jane Lincoln Taylor)
It was good to have another Have Another! In spite of the holiday and cold weather, we had a big warm house to share scenes from Ever Ever, Sacrifice, and Denny and Lila. To learn more about the artists and scenes involved, go here, here, and here.

(Photo by Isaiah Tanenbaum. Pictured: Ken Glickfeld, Jason Howard)
In Katherine Burger's Ever Ever, the mysterious Crocker Dial pays the sleeping Lost Boy Tiggy and dream bound visit.
(Photo by Isaiah Tanenbaum. Pictured: Ken Glickfeld, Jason Howard)
Is Crocker Dial good or evil? Well, he's an agent of change, shall we say...and right now, he's pouring some change in Tiggy's dreaming ear.
(Photo by Matthew Archambault. Pictured: Alisha Spielmann, Isaiah Tanenbaum)
In Kristen Palmer's Sacrifice, teenage Emmie makes a play to change the world with the (very) willing help of a smitten Montgomery.
(Photo by Matthew Archambault. Pictured: Alisha Spielmann, Isaiah Tanenbaum)
For his efforts, Montgomery does not go unrewarded. But how long does happiness ever last?
(Photo by Isaiah Tanenbaum. Pictured: Jessica Angelskhan, David Crommett)
In Denny and Lila, con artist Lila may be making some headway with the good doctor Marcus.
(Photo by Isaiah Tanenbaum. Pictured: Mike Mihm, Rachael Hip-Flores, Kari Swenson Riely)
Her con artist partner Denny is hitting it off with Lucia, much to Jabber's approval.
(Photo by Isaiah Tanenbaum)
What would a Have Another pictoral round up be without the magical program-plus-drink shot? For pics from past Have Anothers, click here, and here, and here, and here, and here. And if you were there, share your thoughts in the comments below!

1 comments »

  • Lawrence Krubner said:  

    I said this elsewhere, but I'll say it here also. I appreciate what Flux Theater is doing, in terms of bringing plays before audiences in a semi-raw form, letting audience see the process of creation, and letting playwrights get early feedback.