Flux Theatre Ensemble

(What is Flux Sunday?)

If the previous Sunday was the Flux of the actors, this Sunday was the Flux of the playwrights - as many strong pages as we've seen in a long time, and despite my best attempts, we simply could not stage them all.

Playwrights: Johnna Adams (The Anguisher), Fengar Gael (The Cat Vandal), Larry Kunofsky (So Retarded), Kitty Lindsay (Life is a Dream House), Kristen Palmer (Bridgeport), Brian Pracht (Unplugged In), August Schulenburg (Jane the Plain), Adam Szymkowicz (The Note)

Directors: Pete Boisvert, Kristy Dodson, Heather Cohn

Actors: Isaiah Tanenbaum, Jason Howard, Alisha Spielmann, Melissa Herion, Drew Valins, Tiffany Clementi, Cotton Wright, Ken Glickfeld, Kersti Bryan, David Crommett

Highlights included:
-Well, it's not everyday one gets to play a fundamentalist possessed by the spirit of a cat - so that was certainly a personal highlight.
-Working on Brian's Unplugged In - we've seen many incarnations of this play (and first scene), and while Flux Sundays are used less frequently for longer term development, it's always exciting when it happens
-Cotton and Jason as the tormented Karbie and Ben dolls - they found the slightly askew physicality that made those parts pop
-Reading through So Retarded allowed us to do two big scenes that play off each other...and boy, did they ever, and the second scene really highlighted Kersti Bryan's Flux Sunday debut

Now I had to leave early, so...did I miss anything that should be forever recorded in the annals of time? Read the full story

(What is Flux Sunday?)

(What is Flux Sunday?)

Playwrights: Katherine Burger (Ever, Ever), Brian Pracht (Wendell Wants), August Schulenburg (The Temptation Show)

Actors: Jane Taylor, Jason Howard, Ken Glickfeld, Gretchen Poulos, Alisha Spielmann, Kimberly Klein, Nora Hummel, Isaiah Tanenabum, Ryan Andes, Travis York, Matthew Archambault, Heather Nicolson

Our first Flux Sunday of 2011! And, pending how rehearsals/production of Dog Act goes, potentially our last for a little while, though we'll be trying to sneak in some in January, if we can.

Highlights included:
-Ever wonder what the definition of "crackling" look like in action? Well, if you had seen Jason Howard as Dial and Richard Watson as Hook read Ever Ever, you would wonder no more.
-Jane Taylor's moving read as the spurned Wendy in the very same Ever Ever (it was a good day for our flash forward Peter Pan)
-Wendell Wants breezing speedily through 30 pages as Brian turns the screws on our likable, but increasingly morally dubious, hero; memorably embodied by three (count 'em!) Wendell's, Travis York, Matthew Archambault, and Isaiah Tanenbaum

It was a socko day for our first 2011 Sunday...here's to many more, hopefully sooner than later.

(What is Flux Sunday?)

Playwrights: Katherine Burger (Ever, Ever), Aja Houston (Superwomen?), Brian Pracht (Wendell Wants), August Schulenburg (The Temptation Show)

Directors: Tiffany Clementi, Katherine, Isaiah, Kelly O'Donnell

Actors: Ken Glickfeld, Matthew Archambault, Carissa Cordes, Leila Okafur, Kathleen Wise, Matthew Murumba, Lynn Kenny, David Crommett, Damon Kinard, Alex Marshall-Brown, Tiffany, Chudney Sykes, Isaiah, Aja, Gus, Jaime Robert Carrillo

Yup, it was a jam-packed Flux Sunday for our last Sunday of 2010, and there was all sorts of good work going on.

Highlights:
-A hot Flux Sunday for Tiffany Clementi, with a turn as the foul-mouthed gorgeous Sadie in Wendell Wants, calculating therapist in Superwomen?, and then bringing a playful directorial focus to the 2nd scene of Aja's pageant play.
-The trifecta for Isaiah Tanenbaum, with funny turns as an actor (Wendell), director (1st scene in Viva Fidel) and as a playwright, the comic highlight of the day in the 2nd scene of Fidel, where Matthew Archambault played the (literally) puppet dictator in a ludicrously staged scene by Kelly O'Donnell.
-But the scene that stuck with me the most was Chudney Sykes monologue in the first scene of Superwomen?. Aja crafted a subtly troubling monologue for Cleopatra about dreams and body image that Chudney handled beautifully.
-Personally, any day that I can act in a Katherine Burger play with both David Crommett and Ken Glickfeld is a good day. And so it was, in Ever Ever (if not for ever ever).
-Matthew Murumba easily fitting into a role I may just be writing for him in mind (The Temptation Show).

If you were there, what do you remember (other, than of course, Archambault's brilliantly flailing limbs?) Read the full story

(What is Flux Sunday?)

After two weeks off (one for Thanksgiving, one for NET's Micro-Fest), we returned to our trusty Flux Sunday back-up at 520 8th ave. That meant reads around the table, which, while not as fun as playing on our feet, does give us the opportunity to read more pages. And they were some solid pages, if I do so solid myself.

Playwrights: Fengar Gael (Devil Dog Six), Aja Houston (Superwomen?), Brian Pracht (Wendell Wants), August Schulenburg (One More Go Around The Darkness)

Actors: Will Lowry, Matthew Archambault, Alisha Spielmann, Jason Howard, Ken Glickfeld, Carissa Cordes, Isaiah Tanenbaum, Kathleen Wise, Ryan Andes, Ingrid Nordstrom, Heather Cohn, Garth McCardle, Regine Mont-Louis, Tiffany Clementi

Highlights:
-Aja's hilarious pageant play (wish we could have staged that second scene!) with a goofily lovable Grier from Regine and a fiercely focused Tiffany Clementi as Venus.
-Ken Glickfeld was ON this day: relaxed, nuanced, focused reads as Bernard in Devil Dog Six and Eliot in Wendell Wants.
-Watching our progression of Wendell's, from Isaiah's perfectly pitched younger Wendell to Garth's irony-laced teen Wendell to Jason's painfully present lover Wendell; it was a wide world of Wendell Wants.
-Ryan Andes dangerously funny cool kid. If you were there, you know what I mean.
-Ingrid Nordstrom taking my note of excitable and running with it as Charity in One More Go About The Darkness. I also appreciated Kathleen Wise's formidable Ellen.

What fireflies of the day did you catch in your bottle? Leave them in the comments below! Read the full story

Ken Glickfeld to the rescue!

With our usual Flux Sunday spaces occupied, Ken rode to our rescue, allowing our theatre-making momentum to continue. I had thought we'd only be able to read scripts, but he was willing for us to stage scenes, and though that shift led to a time miscalculation on my part, some lovely work happened.

Playwrights: Katherine Burger (Ever Ever), Fengar Gael (Devil Dog Six), Brian Pracht (Unplugged In), August Schulenburg (The Hand That Moves)

Directors: Heather Cohn, Katherine, Brian, August

Actors: Jane Taylor, Kimberly Klein, David Crommett, Ken Glickfeld, Lynn Kenny, Alisha Spielmann, Ryan Andes, Kathleen Wise, Chudney Sykes, Damon Kinard, Candice Holdorf, Leila Okafur

Highlights:
-Um, holy crap, Lynn Kenny. Evidently, she had a big bowlful of Acting for breakfast. Not only did she ably navigate Lois' tricky future-vision scene in The Hand That Moves, but her performance as Leah in Unplugged In was high strung as Christmas lights on the top of the tree. Yeah, that metaphor may have failed, but how would you describe that awesomeness?
-The many hats of the day award went to impressive newcomer Chudney Sykes, who rocked out a lovestruck do-gooder, a Jamaican nurse, and outraged slacker dude, respectively.
-Strong direction from both Heather and Brian sharing the end of Unplugged In, with Lynn's scene above matched by go-for-broke turns in the blinding scene from Candice as Zero and Leila Okafur as Leah.
-Ryan Andes's playing of Jean-Pierre in Devil Dog Six - he was as French as a baguette made out of berets (metaphor failure again?).
-Kathleen Wise and Alisha "Paint It Black" Spielmann making some invisible/banana children feel all too real.

If you were there, what did you remember before the Feud benefit made you forget? Read the full story

Our second Sunday at Judson Memorial Church was also our first with audience members from their congregation - exciting! And they were certainly treated to a wide variety of um, entertainments, shall we say?

Playwrights: Katherine Burger (Ever Ever), Fengar Gael (The Spell Caster), Kristen Palmer (Untitled), Brian Pracht (Wendell Wants), August Schulenburg (Presents, Denny and Lila), Daren Taylor (Porn Makes Jesus Cry)

Directors: Ryan Andes, Matthew Archambault, Katherine Burger, Heather Cohn

Actors: Elise Link, Alisha Spielmann, Antoinette Broderick, Gretchen Poulos, Susan Ferrara, David Crommett, Mariam Habib, Amy Staats, Ken Glickfeld, Brent Rose, Jane Taylor

Highlights included:
-Susan gracefully making the tempo gear shift in her cold read of the sad end of my monologue Presents ( lovely to hear 5 different actresses take a crack at Keely), not to mention her chill/shiver inducing turn as Janet in Kristen's play dealing with a violent act long planned and suddenly done
-Elise's lovely moment as Lila reaching out to child Denny as Jabber remembers walking behind them when they were young, and hand in hand (and is it weird that watching Gatz I thought that Denny and Lila bore a strange resemblance to The Great Gatsby?)
-Brian Pracht is a merrier (so far) mood in his Wilderesque comedy of growing up, Wendell Wants
-Alisha rocking another one of Kristen's ladies as Emily in a funny/tense scene with Isaiah
-Jane as a love-struck middle-aged Wendy still in awe of Peter in Katherine's Ever Ever
-Matt Archambault's high stakes staging of Daren's Porn Makes Jesus Cry
-Heather's transformation into soul-sucking snake in The Spell Caster!

This was a Flux Sunday where we finished two plays, Denny and Lila and The Spell Caster; and began several new ones, and so it goes for as long as we can keep going.

What were your favorite highlights? Read the full story

Flux Sunday has gone through several significant evolutions, and on October 17th, we took the next good-sized step forward. It was our first Flux Sunday hosted by Judson Memorial Church, and it was an auspicious beginning to that hopefully long-lived partnership.

It was our first day back on our feet staging things since leaving NYR Studios, and it was good to be moving again. The difference between a cold read and an audience engaging with an hour's worth of staging is all the difference in the world.

It was our first day with an audience member for the last hour - Jonny Goodman and Joe Powell joined us, and we hope to have more Judsonites engage with the work in the future.

It was the first day for the amazing Amy Staats of Hearts Like Fists fame, and one of the first days someone took advantage of our new guest policy (thank you, Mr. Szymkowicz; welcome, Mr. Rose).

AND...it was the first time we ever had a baby in the Flux Sunday house! Kira and Joe's beautiful daughter Dylan was exposed to some high levels of theatre, and we soaked in the cute. On a day when Flux took a big step forward in our mission to building a creative home, Dylan's presence seemed right.

Oh, and we worked plays, too. Here are the peeps and the highlights:

Playwright: Kira Blaskovich (Untitled), Katherine Burger (Legends of Batvia, Ever Ever), Zack Calhoon (Untitled), Brian Pracht (Unplugged In), August Schulenburg (Denny and Lila)

Actors: Ryan Andes, Amy Staats, Gretchen Poulos, Mariam Habib, Kari Swenson Riely, David Crommett, Anthony Wills Jr, Alisha Spielmann, Ken Glickfeld, Marnie Schulenburg, Tiffany Clementi, Brent Rose, Isaiah Tanenbaum, Nora Hummel

Directors: Kira, Katherine, Ken, Tiffany

Highlights included:
- Kira's debut as a playwright AND director with Flux (we've known her primarily as an actor); with her nuanced, deeply felt scene between two old lovers, feeling each other out; and a vital staging of the madcap tragic climax of Denny and Lila (we made it to the cliff, and are about to jump)
-Marnie and Tiffany playing a pair of bad news rich girls in Zack's new play; so hung over they can barely text, they still made the scene snap with laughs and a textured friendship - who knew the line "you're not fat" could have so many comic layers?
-Alisha's LEAH in Unplugged In was somehow both terrifyingly manic and movingly vulnerable; though after two straight shout outs for the actors playing LEAH, I'm beginning to suspect Brian's rewrite of her may have something to do with it, too
-Katherine's new play Ever Ever, about Peter, Wendy and the Lost Boys some 40 years later, still trapped in their boyish Never Land. Its whimsical surface hides a white knuckled anxiety that was a joy to play.

If you were there for Flux and Judson's big Sunday...what did you walk away with? Read the full story

(What is Flux Sunday?)

(Flux fire hydrant to the left discovered and captured through the power of photography in Brooklyn by Adam Szymkowicz)

Yup, on October 9th, we broke the fundamental laws of physics, and for the first time in three years, held a Flux Sunday on a SATURDAY. So far as I can tell, the universe did not (as many pundits feared it would) end, unless of course it did end and we live now in some eerily similar mirror universe.

Setting such lofty considerations aside, it went really well for a hastily assembled day. We had TONS of pages, and ran right up to the 7PM mark, but it felt quick, because the pages had some pop to them.

Playwrights: Johnna Adams, Fengar Gael, Kristen Palmer, Brian Pracht, August Schulenburg, Adam Szymkowicz

Actors: David Crommett, Ken Glickfeld, Isaiah Tanenbaum, Matt Archambault, Gretchen Poulos, Antoinette Broderick

Highlights included:

-A great Flux Sunday for Gretchen, who brought a casual loveliness to Adam's Josette (in the untitled French play), a subtly heightened feel to girl in Kristen's The Stray Dog, and a rough playfulness to the jade Cheat in Johnna's Pickpocks, Jades, and Swindlers, her second play in the style of Lickspittles, Buttonholers, and Damned Pernicious Go-Betweens (brace yourselves - it looks to be a trilogy).

-A smoking scene from Brian Pracht's Unplugged In, courtesy of some tight rewrites from Brian, a focused performance as Chris from Matt A, and a hilarious turn from Travis as Zero. This scene was popping!

-The debut of Antoinette Broderick, who played a con-artist, tattoo artist, and 18th century swindler with aplomb.

What were your impressions of the day? What did you think of the stylistic new ground Adam struck in the love affair between Matt and Josette in that untitled French play? Did you notice that I inadvertently included a Dr X speech pattern in the Denny and Lila scene? How did the end of Kristen's The Stray Dog land with you? Aren't Doug and Cheryl romantic? Isn't that picture Adam took of the fire hydrant kind of cool? And could you believe it when Mayra bit the frickin' head of that snake???

And for the record, this was the last Flux Sunday (er, Saturday) before we embarked to a potential new home...but more on that anon. Read the full story

(What is Flux Sunday?)

Playwrights: Fengar Gael (The Spell Caster), Brian Pracht (The Misogynist, Unplugged In), August Schulenburg (Where It Comes and Where It Goes, Symbolic Gestures, Carrin Beginning)

Actors: Candice Holdorf, Richard Watson, Kari Swenson Riely, David Crommett, Gretchen Poulos, Anthony Wills Jr, Jason Howard, Ken Glickfeld, Kelly O'Donnell, Alisha Spielmann, Isaiah Tanenbaum, Heather Cohn, Matthew Archambault, Tiffany Clementi, Ryan Andes, Lynn Kenny

An actor heavy Flux Sunday made for three lucky playwrights and an upbeat three hours. We heard the next installment of The Spell Caster, Brian brought in a rewritten ending for The Misogynist and a rewritten beginning for Unplugged In, and I brought in two new shorts and the first (good) play I ever wrote, Carrin Beginning, nearly 12 years after its original production.

Highlights included:
-One of Tiffany's best Flux Sundays ever, with a feisty Maxine a-gabbin' in The Spell Caster; one of my favorite line readings ever as Libby in The Misogynist ("Um..YES!"); and a revelatory read of Leah in Unplugged In (had always seen this role very differently, but she brought a fascinating maturity-gap/power-dynamic to Leah's relationship with Chris).
-Kelly O'Donnell, Anthony Wills Jr, and Gretchen Poulos finding the perfect balance of comedy in heartbreak in my little Living Wage short, Symbolic Gestures.
-Ryan's sultry stage directions, which turned the sex-role-playing scene of The Misogynist up a few degrees
-Ken's brief but memorable turn as Scaramanga in Unplugged In
-Richard's unsettling/charming delivery of Turlough in Carrin Beginning

What were your thoughts? Did you like a happy ending Misogynist? And what do you think will happen in the power struggle between Mayra and Louisa in The Spell Caster? Read the full story

What is Flux Sunday?

Playwrights: Rob Ackerman (Throwing Gumballs), Zack Calhoon (Hell, West, and Crooked; Stolen), Kristen Palmer* (The Stray Dog), Brian Pracht (The Misogynist), August Schulenburg (Denny and Lila)

Actors: Susan Ferrara, Nancy Franklin, Ken Glickfeld, Kari Riely, Gretchen Poulos, Heather Cohn, Matt Archambault, Cotton Wright, Tiffany Clementi, Jason Paradine, David Crommett

This was our last Flux Sunday for a few weeks, as our next two weekends will be spent at our annual retreat at Little Pond (more on that anon, huzzah!) But we went into the break on a resilient note, as Tiffany rode to my rescue and ran the first half of the session as my bus crept slowly through the Sunday rain.

That means I can't tell you about the 1st half, so if you were there, reader, let me know what worked in the comments. But for the 2nd half highlights:

-Brian's The Misogynist ending on a pleasingly ambiguous note, as our troubled Ethan seems to be finding some measure of self-awareness that has eluded him until now; and the last scene between him and Libby is lovely.

-Tiffany as Davia loving her plaything John (Matt A) in Zack's Stolen; it was great to see Tiff revel in her power and cruelty

-Kari winsomely playing the con artist Lila seducing the small town doctor in Denny and Lila

-But above all, the read-through of Rob's Throwing Gumballs that followed; this zany heart attack of a play conceals a sincere crisis of an artists' moral responsibilities. Thanks to all who stuck around and joined us as we finally heard the whole play at a go.

So if you were there...what did I miss that's worth remembering?

*Kristen had to cancel last minute, but I believe her scene was read anyway. Read the full story

What is Flux Sunday?

Playwrights: Johnna Adams (Nurture, Gidion's Knot, The Planned Obsolescence Of Karl Rove), August Schulenburg (Deinde)

Actors: Matt Archambault, Nancy Franklin, Brian Pracht, David Crommett, Ken Glickfeld, Jane Taylor

I admit, I went into this Sunday worried about the small turn out. But it ended up being a really satisfying evening, with our intimate crew reading through 3 scenes of Johnna's, 2 of which were older scripts we joked were B-Sides. They ended up blowing us away, reminding us of her crazy range as a playwright.

Highlights:

-No matter what else happens in my life, I can now say that I have played, at least in reading form, a Bleak Karlian Skriker. What is a Bleak Karlian Skriker you might ask? Oh, just a fire-breathing lizard demon living in the Magical Rovitanian Wonder Cabinet with the face of Karl Rove. No, they can't that away from me.

-Our inability to finish scenes in both Nurture and The Planned Obsolescence Of Karl Rove without laughing. Oh, ludicrous litany of Rove ailments, how could we stand against you?

-The disturbing undercurrents of Gidion's Knot, with lovely performances from Brian Pracht as the teenage war poet, and Ken Glickfeld as his poetry-struck forget-monster of a father.

-Jane Taylor's moving read of Dara's rhapsody after she is given an unexpected new lease on life in Deinde

-Johnna and Brian Pracht speaking with one mind in Deinde, no easy feat for a cold read

If you were part of our band of sisters and brothers, what do you remember?

AND...stay tuned for some changes in Flux Sunday policy... Read the full story

What is Flux Sunday?

Yes, I know, I owe you reports from from 7/11 and 7/18. But I'd like to start a new trend of blogging about Flux Sunday immediately afterwards, so all those who atteneded can chime in with thoughts, before time steals them.

Playwrights: Johnna Adams (Nurture), Zack Calhoon (Obamaville), James Comtois (McTeague), Kristen Palmer (The Stray Dog), Brian Pracht (The Mysoginist), Adam Szymkowicz (Curently Untitled), August Schulenburg (What Is Outside)

Actors: Isaiah Tanenbaum, Jane Taylor, David Crommett, Alisha Spielmann, Christina Shipp, Nancy Franklin, Matthew Archambault, Ken Glickfeld

Yup, we had a bevy of playwrights (a quill of playwrights?) and a whole bunch of pages. It was a solid three hour sandwhich of theatre, and I left full.

Highlights included:

-Johnna Adams's new play, Nurture. The tyrannical mother Cheryl and her obliviously smitten suitor Doug bond over their strange dancing daughters in a scene of shocking comic vitality. I'm not sure we quite got the the tone of this one - I have a hunch it is quicker and more deadpan - but it seems like an exciting new style for Johnna, and I can't wait to see where it goes.

-The scene between 'best friends' Jim and the dying Matt in Adam's new play; Jim's completely insincere attempt at empathy has all of us appalled and laughing

-Things getting ugly in The Mysoginist, with a particularly unsettling scene between Matt Archambault's Ethan and Alisha Spielmann's Libby (Alisha turned in several strong performances)

-The air of mystique pervading the first scene of Kristen's new play, tentatively called The Stray Dog. Curiosity, piqued.

-Ken Glickfeld as Curtis and David Crommett as James going toe to toe in Zack's Obamaville; things don't end well for this Tea Party; but even sitting round an office table, they weren't afraid to blow things up.

-Ken again in the shyly lovely courtship scene between Grannis and Nancy Franklin's Miss Baker in James' McTeague. Aww. And we needed some awww...it was a Sunday made up mostly of blackest comedy and violent drama.

It was great to have so many playwrights bringing pages that seemed to be pushing in new directions; or further in old ones; and I look forward to the next round.

SO...if you were there, lay down some cool wisdom in the comments field, y'here? Read the full story