Flux Theatre Ensemble

A brief post of gratitude to:

Tim Errickson of Boomerang Theatre Company for mentioning Flux's ForePlay series in his interview with Leonard Jacobs as part of an article for Backstage regarding multi-disciplinary and dark night programming. On that subject, allow me to again voice my admiration for Electric Pear's multi-multi-disciplinary Synesthesia project, and welcome Thesia Arts, a new company dedicated to multi-disciplinary work.

Our beloved playwright Johnna Adams giving The Lesser Seductions of History a shout-out in her interview with Zack Calhoon at Visible Soul. It's a great read with insight into her process and good news about her amazing play Sans Merci (aka the play that destroys me in the good way).

Our fiscal sponsor Fractured Atlas for their continued support, and a big congratulations for exceeding 10,000 Members! Their Membership growth over seven years has been impressive, and from my perspective, that growth has come from providing genuinely necessary benefits, practicing generosity, and decision making based in the metric analysis Adam describes.

Of course, thank you to everyone who has made our first two weeks of The Lesser Seductions of History go so well (only one week left!)

And on a more personal note, my mother (in town to see The Lesser Seductions of History) brought me a signed copy of Mary Oliver's latest book of poetry, Evidence. And what better way to end a brief post of gratitude than with a section from "At The River Clarion", a haunting poem from that book:

4.
There was someone I loved who grew old and ill.
One by one I watched the fires go out.
There was nothing I could do

except to remember
that we receive
then we give back.