Flux Theatre Ensemble

Post by August Schulenburg

There is nothing like returning from my (perfect, dazzling, exhausting) honeymoon to find this evocative image for our upcoming production of Menders in my inbox. Kristy Caldwell is the brilliant artist responsible for the Dog Act and Ajax in Iraq postcards, and she's working on an image for the the Menders postcard that will tie all three separate images into a single image - you can see what I mean here.

Other folks looking for illustrations, if the above doesn't convince you, working with Kristy is the best. You should do it, too.

The image above, which will appear as a print ad in Issue 5 of Carrier Pigeon, really strikes at the secret, walled heart of Erin's beautiful play - I'm so glad to return to the city and hit the ground running on Menders. Read the full story

The postcard for Jacob's House is out, and it's a beauty. Designed by resident graphic wizard Isaiah Tanenbaum, with brainstorming led by the Core Members, I'm very happy with how this slightly-more-rushed-than-usual postcard turned out.

Why? Because Isaiah's design:

• Tweaks one of the greatest representations of man touching the divine
• Is both playful and transgressive, like the play itself
• Incarnates the play's exploration of Manifest Destiny through the American flag backdrop
• Has a strong visual energy, with the text and imagery moving on crossing diagonals

But now the bigger question: should we even continue to make postcards?

Some time ago on the #2AMT Twitter conversation (if you're on Twitter and not following, you're missing the action), the ROI of postcards has come into questions. With so much happening online, are they necessary? How many tickets are actually sold through postcards? Or are they simply a tangible reminder of an ephemeral medium that we hold onto more from nostalgia than practicality? And that's not even factoring in environmental concerns. it's hard to look at that sad pile of unused postcards when the show is done.

This has been an ongoing debate within Flux for some time now, and we have resolved that debate temporarily by pushing ourselves to make postcards that matter, postcards that not only serve as a marketing tool, but as a means of talking about the play and clarifying our aesthetic approach.

The Pretty Theft postcard process led us to a series of polaroid style postcards (collect them all), and The Lesser Seductions of History postcard superimposed the characters over the haunting Zapruder film in a bookmark (bookmarks being useful even if you never see the show). In both cases, the debates over marketing imagery translated directly into aesthetic choices in the shows. I learned almost as much about rewriting Lesser Seductions from the marketing meetings as I did from the workshops.

But, you ask, couldn't that have happened through the conversation surrounding an online image or video? Yup, it sure could. So the question returns - are postcards worth the investment? if so, what tactics are you using to make them count? If not, what takes their place?

Read the full story

Hi all, it's Isaiah.

One of the great things about being part of a multi-disciplinary company is that I get to do cool things besides act in shows. Sometimes I compose a cappella songs, sometimes I write plays for Flux Sundays, but most often I design stuff.

Stuff like our new postcard bookmark for The Lesser Seductions of History. (Click on bookmark image to enlarge)

And here's the back:


I just sent this to the printers, and so it should be available and in hand at the NYIT Awards ceremony on Monday. Hope you can make it -- we're up for seven awards! If you just can't wait, you can click on these images for larger versions and print your own!

Also, is there any interest in seeing a design journal? This postcard went through an unprecedented process (for Flux at least) of discarded ideas, tweaks, and alterations before arriving at the design you see here. Leave a comment! Read the full story