Flux Theatre Ensemble

By August Schulenburg

We're continuing our participation in the I AM THEATRE initiative launched by TCG with a story of my own. If you haven't already, be sure to also check out Isaiah Tanenbaum and Carissa Cordes' video.

The particular story that I share is inspired by the work of Bill George, the theatre artist who founded the Little Pond Arts Retreat. Those who read this blog may recognize Little Pond as the site where Flux holds our annual retreats; it is also the place where, less than a month ago, I was married to fellow Fluxer Heather Cohn.

As you will see, Bill's influence in my life and work stretches back a good distance, and this video is both a note of gratitude to him, and an encouragement to others to share their stories. The stories I share are from my memories of a production I saw fourteen or so years ago, so I hope any errors of memory will be forgiven. For those unfamiliar with the Bahá'í faith I reference in the video, you can learn more here and here.
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(What is Flux Sunday?)

We had one of the biggest actor turn-outs ever for this Flux Sunday, and it was exciting!

Playwrights: Larry Kunofsky (So Retarded), EM Lewis (If I Did This), Kari Swenson Riely (The Bicycle), August Schulenburg (Jane the Plain)

Directors: Heather Cohn, Leigh Hile, Brian Pracht, Alisha Spielmann

Actors: Lynn Kenny, Jason Richards, Kitty Lindsay, Maiken Wise, David Crommett, Tiffany Clementi, Matthew Archambault, Isaiah Tanenbaum, Rob Maitner, Anna LaMadrid, Cotton Wright, Melissa Herion, Jen Kipley, Jane Taylor, Robb Martinez, Stephen Conrad Moore

Highlights included:
-The debut of Kari's writing! She's been an acting force at Flux Sundays for some time, and it's always exciting when we see a different side of a talented artist.
-The moment when Lynn as Lucy negotiated Jen as Jen's sudden arrival with the audience - pure natural comedy - in Larry's So Retarded
-Speaking of that play, the whole New Haven/ n sympathizer section was painfully funny.
-Watching Rob and Robb offer two different but equally compelling takes on Hal, the dissolute mystery writer of Ellen's If I Did This
-Cotton's lovely Jane in Jane the Plain somehow maintaining the honesty of the character in the face of a shirtless, gleeful Matt Archambault as Scotty

If you were there, what do you remember? Read the full story

(What is Flux Sunday?)

Our first Flux Sunday back from the retreat had a smaller turn out, but that allowed us to do an exciting thing. We staged and shared four plays: two in the first hour and a half, and two in the second. This led to a bunch of rushed choices, but all together the experience was, well, a rush. It's not everyday, after all, that one is able to play a rolling Oedipus, a cop fighting organ theft, and a political activist clown in three hours.

Playwrights: Larry Kunofsky (Tragedy on Ecstasy), Kristen Palmer (Bridgeport), August Schulenburg (Jane the Plain), Adam Szymkowicz (Market)

Directors: Heather Cohn, Marielle Duke, Leigh Hile

Actors: Carissa Cordes, Kitty Lindsay, Anna Lamadrid, Alisha Spielmann, Melissa Herion, Kathryn Lawson, Isaiah Tanenbaum

Highlights included:

-Anna tearing it up as Donna in Kristen's Bridgeport, not to mention the thrill of Larry's spellcasting. I'm very excited to see how these fanciful and gritty threads weave together.
-The whole Tragedy on Ecstasy cast, which embodied the Flux Sunday spirit of "let's just go for it."
-Melissa's chilling Clarissa, and Carissa as her hapless (puppet) victim in Adam's Market. I also loved Heather's use of the space (and Ann's scene changing shakers!)
-Kristen Palmer as Scotty the Hotty. 'Nuff said.

If you were there, what did you walk away with?

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Should Cotton, playing Rene, tell the story of Justin and her honey hand?
Yes, yes she should.
What's that you say? Hankering for the picture of a rainbow-neck deer? Hanker no longer.

We smiled for the camera...and closed the party down.

For pics from past Have Anothers, click here, and here, and here, and here, and here, and here. And if you were there, share your thoughts in the comments below!
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We'll be returning to the friendly confines of Jimmy's #43, located downstairs at 43 East 7th Street between 2nd and 3rd Ave. There is no cover, just some of our favorite scenes from the Flux Retreat shared over drinks with friends. Read the full story

By August Schulenburg

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Hey all, Isaiah here.

You may know the Innovative Theater people for their annual IT Awards, which recognize excellence in the Off-Off-Broadway world (Flux productions have been nominated eight times; Asa Wember won Best Sound Design in '08 for his work on Angel Eaters), but they also host a superb blog fittingly called "Full of IT." Our own August Schulenburg is this week's guest blogger there, and I encourage you to check IT out (har har).

As always, Gus brings that Wider Frame brain of his to bear in the first post of the week as he analyzes, oh, just the universe, life itself, consciousness, and technology. You know, those little things.

Taking Marcus Aurellius, who furrows away up at the top of this post, at his word ("he who does not know what the world is does not know where he is"), Gus analyzes each of these aspects of creation in turn. Specifically, he's interested in their individual and differing relationships to change, loss, and time. It's a surprisingly quick read for the breadth it covers, and I've been chewing it over all day.

I figured that while Gus, ever modest, wouldn't want to link to himself, I am bound by no such rules. So head on over. Myself, I'm more of a Kurtzweilian than Gus is (Singularity ho!), but either way I can't wait to see the next couple of posts.
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New World Iliads will take place on three nights with each night treating a contemporary war from a mythic perspective. In the same way that Ajax in Iraq re-imagines a war from thousands of years ago, New World Iliads will imagine what our contemporary wars may look like from the same distance: the gods, the heroes and villains; what details will be erased by time and what will remain? How will the art inspired by today's conflicts inform the myths of tomorrow?

Join us on May 16 for ForePlay #1

New World Iliads: Iraq

Liz Duffy Adams

Johnna Adams

Erin Browne

August Schulenburg

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Our next installment of Have Another is Wednesday the 6th from 7PM-10PM. We'll be returning to the friendly confines of Jimmy's #43, located downstairs at 43 East 7th Street between 2nd and 3rd Ave. There is no cover, just some of our favorite scenes from Flux Sunday shared over drinks with friends.

I'm especially excited that we've been able to make this Have Another happen. Our partnership with Judson Memorial Church's Bailout Theatre has really jumpstarted our Food:Soul program, but Have Another has often fallen by the wayside, and there have been some years where we've only had one (which is sadly ironic, given the programs title).

Members Isaiah Tanenbaum (picture to the left is his) and Matthew Archambault have taken up the reins of this Have Another, and that gives me great hope that this program will resume the more regular schedule that our Flux Sunday artists deserve.

The line-up!

Why is this line up a must see? Because Have Another gives you a chance to see the plays that Flux is developing at Flux Sundays, all the while tipping back a beer or two and enjoying Jimmy's great locally inspired food (local theatre pairs well with local food, no?) It's one of our ways of sharing our development process with you.

And this particular line up of scenes features horse racing, neuroscience, crumbling regimes, animal souls, cyborgs and corpse puppetry. It features Fengar Gael's second Have Another (after the wonders of Opaline) and Member Isaiah Tanenbaum's first as a playwright. Regulars like Matthews Murumba and Archambault team up with awesome first timers Paco Tolson and Damon Kinard.

So many good reasons to join us and Have Another... Read the full story

Due to the nigh-on wild acclaim for the ground-breaking post, Two Interviews, I link now to two more interviews, because, well, there are two new Flux-related interviews in the world.

First up, Dog Act actress Becky Byers, she of People of the Year and Exploding Moments fame, continues to soar like a veritable air minion in this interview with Zack Calhoon at Visible Soul in his People You Should Know series.

Secondly, I completed the Piper McKenzie Mad-Lib interview for their upcoming Dainty Cadaver series (I am contributing to Team B). If you were thinking to yourself, where can I find 20 passes of attempted wit, deliberate nonsense, and occasional sincerity all in one place, this interview has you covered.

Speaking of interviews, surely you noticed that marathon man has passed 300? Amazing. Read the full story

When we choose seasons, we pay special attention to the ways the plays speak to each other. But when choosing scenes for Have Another, we focus more on who the playwrights are, and which Flux Sunday scenes struck the strongest chords.

But while hosting the rehearsals for Have Another #5 this weekend, I noticed an interesting shared theme about adolescence and consequences. Growing up is above all taking responsibility for the consequences of your actions; of realizing things don't often work out exactly the way you expected; of making plans that prepare for the uncertain world; of owning the messes you make.

Under this definition, I feel our country has regressed again towards a kind of adolescence: putting off passing necessary environmental legislation; pretending it's possible to spend more, cut taxes, and somehow reduce the deficit; entering into wars without exit plans; and then acting with a childish denial of responsibility when obvious consequences come home to roost. I say this knowing my own actions still sometimes follow this adolescent pattern, despite my best intentions.

All three plays for this Have Another explore this theme in fascinating ways. In Kristen Palmer's Sacrifice, teenage Emmie looks around at a town where family farms have been devoured and manufacturing jobs have dried up; where the adults of her life have betrayed her or let her down; where she feels she has to take the responsibility the adults have abandoned and change things in dramatic fashion.

In Katherine Burger's Ever Ever, Peter Pan and Lost Boys have left NeverLand for an apartment in Manhattan but still haven't grown up. Now in their sixties, the boys and Wendy have their suspended adolescence upended by the "agent of change" Crocker Dial, a reptilian figure of mystery who one by one, brings the consequences of time and age to these defiantly childish adults. Ever Ever indulges in the pleasures of being a child while at the same time reckoning with it's limits.

In my play Denny and Lila, we meet that most bewitching form of American adolescent, the con artist. We've all met that charmer with the childlike vitality that admits no limits, who believes the night has no end. These charmers and con artists are almost irresistible, but they always leave someone else to clean up their mess. In some ways, contemporary America is the ultimate con artist, peddling a dream that everyone can have everything they want in a world of scarcity and loss.

As you might expect, none of these plays end well for the characters, though they have a great deal of fun as they fiddle and burn. Hopefully you'll see what I mean tomorrow night! Read the full story

It's back! Our next installment of Have Another is this Monday the 17th from 7PM-9PM. We'll be returning to the friendly confines of Jimmy's #43, located downstairs at 43 East 7th Street between 2nd and 3rd Ave. There is no cover, just some of our favorite scenes from Flux Sunday shared over drinks with friends.



2011 comes in with a roar - check out this must-see Monday line-up:

Why is this line up a must see? Because Have Another gives you a chance to see the plays that Flux is developing at Flux Sundays, all the while tipping back a beer or two and enjoying Jimmy's great locally inspired food (local theatre pairs well with local food, no?) It's one of our ways of sharing our development process with you.

And this particular line up of scenes features con artists, grown up Lost Boys, Neruda, plays within plays, crocodiles, and teenagers who will save the world! Doors open at 7PM, with scenes beginning at 7:30PM and running through 9PM.

Shall we lift a glass together? RSVP on the Facebook event! Read the full story

(What is Flux Sunday?)

Playwrights: Katherine Burger (Ever, Ever), Brian Pracht (Wendell Wants), August Schulenburg (The Temptation Show)

Actors: Jane Taylor, Jason Howard, Ken Glickfeld, Gretchen Poulos, Alisha Spielmann, Kimberly Klein, Nora Hummel, Isaiah Tanenabum, Ryan Andes, Travis York, Matthew Archambault, Heather Nicolson

Our first Flux Sunday of 2011! And, pending how rehearsals/production of Dog Act goes, potentially our last for a little while, though we'll be trying to sneak in some in January, if we can.

Highlights included:
-Ever wonder what the definition of "crackling" look like in action? Well, if you had seen Jason Howard as Dial and Richard Watson as Hook read Ever Ever, you would wonder no more.
-Jane Taylor's moving read as the spurned Wendy in the very same Ever Ever (it was a good day for our flash forward Peter Pan)
-Wendell Wants breezing speedily through 30 pages as Brian turns the screws on our likable, but increasingly morally dubious, hero; memorably embodied by three (count 'em!) Wendell's, Travis York, Matthew Archambault, and Isaiah Tanenbaum

It was a socko day for our first 2011 Sunday...here's to many more, hopefully sooner than later.

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(What is Flux Sunday?)

Playwrights: Katherine Burger (Ever, Ever), Aja Houston (Superwomen?), Brian Pracht (Wendell Wants), August Schulenburg (The Temptation Show)

Directors: Tiffany Clementi, Katherine, Isaiah, Kelly O'Donnell

Actors: Ken Glickfeld, Matthew Archambault, Carissa Cordes, Leila Okafur, Kathleen Wise, Matthew Murumba, Lynn Kenny, David Crommett, Damon Kinard, Alex Marshall-Brown, Tiffany, Chudney Sykes, Isaiah, Aja, Gus, Jaime Robert Carrillo

Yup, it was a jam-packed Flux Sunday for our last Sunday of 2010, and there was all sorts of good work going on.

Highlights:
-A hot Flux Sunday for Tiffany Clementi, with a turn as the foul-mouthed gorgeous Sadie in Wendell Wants, calculating therapist in Superwomen?, and then bringing a playful directorial focus to the 2nd scene of Aja's pageant play.
-The trifecta for Isaiah Tanenbaum, with funny turns as an actor (Wendell), director (1st scene in Viva Fidel) and as a playwright, the comic highlight of the day in the 2nd scene of Fidel, where Matthew Archambault played the (literally) puppet dictator in a ludicrously staged scene by Kelly O'Donnell.
-But the scene that stuck with me the most was Chudney Sykes monologue in the first scene of Superwomen?. Aja crafted a subtly troubling monologue for Cleopatra about dreams and body image that Chudney handled beautifully.
-Personally, any day that I can act in a Katherine Burger play with both David Crommett and Ken Glickfeld is a good day. And so it was, in Ever Ever (if not for ever ever).
-Matthew Murumba easily fitting into a role I may just be writing for him in mind (The Temptation Show).

If you were there, what do you remember (other, than of course, Archambault's brilliantly flailing limbs?) Read the full story

(What is Flux Sunday?)

After two weeks off (one for Thanksgiving, one for NET's Micro-Fest), we returned to our trusty Flux Sunday back-up at 520 8th ave. That meant reads around the table, which, while not as fun as playing on our feet, does give us the opportunity to read more pages. And they were some solid pages, if I do so solid myself.

Playwrights: Fengar Gael (Devil Dog Six), Aja Houston (Superwomen?), Brian Pracht (Wendell Wants), August Schulenburg (One More Go Around The Darkness)

Actors: Will Lowry, Matthew Archambault, Alisha Spielmann, Jason Howard, Ken Glickfeld, Carissa Cordes, Isaiah Tanenbaum, Kathleen Wise, Ryan Andes, Ingrid Nordstrom, Heather Cohn, Garth McCardle, Regine Mont-Louis, Tiffany Clementi

Highlights:
-Aja's hilarious pageant play (wish we could have staged that second scene!) with a goofily lovable Grier from Regine and a fiercely focused Tiffany Clementi as Venus.
-Ken Glickfeld was ON this day: relaxed, nuanced, focused reads as Bernard in Devil Dog Six and Eliot in Wendell Wants.
-Watching our progression of Wendell's, from Isaiah's perfectly pitched younger Wendell to Garth's irony-laced teen Wendell to Jason's painfully present lover Wendell; it was a wide world of Wendell Wants.
-Ryan Andes dangerously funny cool kid. If you were there, you know what I mean.
-Ingrid Nordstrom taking my note of excitable and running with it as Charity in One More Go About The Darkness. I also appreciated Kathleen Wise's formidable Ellen.

What fireflies of the day did you catch in your bottle? Leave them in the comments below! Read the full story

I think we're going to like it here.

Our fourth Flux Sunday at Judson was a moving recovery from our haunted Halloween Sunday. really strong, heartfelt work marked all 3 scenes.

Playwrights: Katherine Burger (Ever Ever), Fengar Gael (Devil Dog Six), August Schulenburg (The Hand That Moves)

Directors: Tiffany Clementi, Katherine, August

Actors: Alisha Spielmann, Kari Riely, Mariam Habib, Gretchen Poulos, Nora Hummel, Jason Howard, Carissa Cordes, Isaiah Tanenbaum, Ken Glickfeld, Becky Kelly, Marnie Schulenburg, Jane Taylor

-Marnie and Mariam making the ex-lover reunion scene between Lois and Aaseya in The Hand That Moves (formerly The Baby Play), especially Marnie's handling of the rush of fear over Aaseya's safety.
-Tiffany directing the living daylights out of Devil Dog Six! Jane leaning cool against the wall, Carissa skipping fiercely between the horses, all of it flowing from one strong stage picture to the next.
-Jason Howard's crocodilian Dial in Ever Ever was as close to a tour de force as one can get in a hastily staged scene: strutting, leering, carelessly picking the lost boy from his teeth.
-Kari's handling of Paula's confession - full of simple feeling in a difficult monologue.
-Nancy's moving read as the dreaming lost boy terrorized by Dial. I won't ever forget that scene that left my cheeks wet.

If you were there, what do you remember? Read the full story

Our 3rd Flux Sunday at Judson Memorial Church had the ill-fated luck of falling on Halloween, and a haunted Flux Sunday it was indeed, with mysteriously disappearing accents, bedeviled containers of chocolate, and a small turnout. But, like the valiant ghostbusters we are, we persevered to get some good work done.

Playwrights: Katherine Burger (Ever Ever), Fengar Gael (Devil Dog Six), August Schulenburg (Untitled)

Actors: Ken Glickfeld, Carissa Cordes, Gretchen Poulos, David Crommett, Tiffany Clementi, Matthew Archamabult, Damon Kinard

Director: Katherine, Heather Cohn

Highlights Included:
- The debut of Damon Kinard, who gave a strong read as the charming tyrant husband in The Baby Play
-The tag-team comic duo of Ken Glickfeld and Matthew Archamabult as adult Lost Boys Tiggy and Weasel in Katherine's Ever Ever. I admit, I nearly broke.
-Fengar bringing pages from Devil Dog Six, a play we've long admired but not yet played with - excited for more!

If you were there, and weren't devoured by zombies on your way home, what were your highlights? Read the full story

Our second Sunday at Judson Memorial Church was also our first with audience members from their congregation - exciting! And they were certainly treated to a wide variety of um, entertainments, shall we say?

Playwrights: Katherine Burger (Ever Ever), Fengar Gael (The Spell Caster), Kristen Palmer (Untitled), Brian Pracht (Wendell Wants), August Schulenburg (Presents, Denny and Lila), Daren Taylor (Porn Makes Jesus Cry)

Directors: Ryan Andes, Matthew Archambault, Katherine Burger, Heather Cohn

Actors: Elise Link, Alisha Spielmann, Antoinette Broderick, Gretchen Poulos, Susan Ferrara, David Crommett, Mariam Habib, Amy Staats, Ken Glickfeld, Brent Rose, Jane Taylor

Highlights included:
-Susan gracefully making the tempo gear shift in her cold read of the sad end of my monologue Presents ( lovely to hear 5 different actresses take a crack at Keely), not to mention her chill/shiver inducing turn as Janet in Kristen's play dealing with a violent act long planned and suddenly done
-Elise's lovely moment as Lila reaching out to child Denny as Jabber remembers walking behind them when they were young, and hand in hand (and is it weird that watching Gatz I thought that Denny and Lila bore a strange resemblance to The Great Gatsby?)
-Brian Pracht is a merrier (so far) mood in his Wilderesque comedy of growing up, Wendell Wants
-Alisha rocking another one of Kristen's ladies as Emily in a funny/tense scene with Isaiah
-Jane as a love-struck middle-aged Wendy still in awe of Peter in Katherine's Ever Ever
-Matt Archambault's high stakes staging of Daren's Porn Makes Jesus Cry
-Heather's transformation into soul-sucking snake in The Spell Caster!

This was a Flux Sunday where we finished two plays, Denny and Lila and The Spell Caster; and began several new ones, and so it goes for as long as we can keep going.

What were your favorite highlights? Read the full story

Flux Sunday has gone through several significant evolutions, and on October 17th, we took the next good-sized step forward. It was our first Flux Sunday hosted by Judson Memorial Church, and it was an auspicious beginning to that hopefully long-lived partnership.

It was our first day back on our feet staging things since leaving NYR Studios, and it was good to be moving again. The difference between a cold read and an audience engaging with an hour's worth of staging is all the difference in the world.

It was our first day with an audience member for the last hour - Jonny Goodman and Joe Powell joined us, and we hope to have more Judsonites engage with the work in the future.

It was the first day for the amazing Amy Staats of Hearts Like Fists fame, and one of the first days someone took advantage of our new guest policy (thank you, Mr. Szymkowicz; welcome, Mr. Rose).

AND...it was the first time we ever had a baby in the Flux Sunday house! Kira and Joe's beautiful daughter Dylan was exposed to some high levels of theatre, and we soaked in the cute. On a day when Flux took a big step forward in our mission to building a creative home, Dylan's presence seemed right.

Oh, and we worked plays, too. Here are the peeps and the highlights:

Playwright: Kira Blaskovich (Untitled), Katherine Burger (Legends of Batvia, Ever Ever), Zack Calhoon (Untitled), Brian Pracht (Unplugged In), August Schulenburg (Denny and Lila)

Actors: Ryan Andes, Amy Staats, Gretchen Poulos, Mariam Habib, Kari Swenson Riely, David Crommett, Anthony Wills Jr, Alisha Spielmann, Ken Glickfeld, Marnie Schulenburg, Tiffany Clementi, Brent Rose, Isaiah Tanenbaum, Nora Hummel

Directors: Kira, Katherine, Ken, Tiffany

Highlights included:
- Kira's debut as a playwright AND director with Flux (we've known her primarily as an actor); with her nuanced, deeply felt scene between two old lovers, feeling each other out; and a vital staging of the madcap tragic climax of Denny and Lila (we made it to the cliff, and are about to jump)
-Marnie and Tiffany playing a pair of bad news rich girls in Zack's new play; so hung over they can barely text, they still made the scene snap with laughs and a textured friendship - who knew the line "you're not fat" could have so many comic layers?
-Alisha's LEAH in Unplugged In was somehow both terrifyingly manic and movingly vulnerable; though after two straight shout outs for the actors playing LEAH, I'm beginning to suspect Brian's rewrite of her may have something to do with it, too
-Katherine's new play Ever Ever, about Peter, Wendy and the Lost Boys some 40 years later, still trapped in their boyish Never Land. Its whimsical surface hides a white knuckled anxiety that was a joy to play.

If you were there for Flux and Judson's big Sunday...what did you walk away with? Read the full story

(What is Flux Sunday?)

Playwrights: Fengar Gael (The Spell Caster), Brian Pracht (The Misogynist, Unplugged In), August Schulenburg (Where It Comes and Where It Goes, Symbolic Gestures, Carrin Beginning)

Actors: Candice Holdorf, Richard Watson, Kari Swenson Riely, David Crommett, Gretchen Poulos, Anthony Wills Jr, Jason Howard, Ken Glickfeld, Kelly O'Donnell, Alisha Spielmann, Isaiah Tanenbaum, Heather Cohn, Matthew Archambault, Tiffany Clementi, Ryan Andes, Lynn Kenny

An actor heavy Flux Sunday made for three lucky playwrights and an upbeat three hours. We heard the next installment of The Spell Caster, Brian brought in a rewritten ending for The Misogynist and a rewritten beginning for Unplugged In, and I brought in two new shorts and the first (good) play I ever wrote, Carrin Beginning, nearly 12 years after its original production.

Highlights included:
-One of Tiffany's best Flux Sundays ever, with a feisty Maxine a-gabbin' in The Spell Caster; one of my favorite line readings ever as Libby in The Misogynist ("Um..YES!"); and a revelatory read of Leah in Unplugged In (had always seen this role very differently, but she brought a fascinating maturity-gap/power-dynamic to Leah's relationship with Chris).
-Kelly O'Donnell, Anthony Wills Jr, and Gretchen Poulos finding the perfect balance of comedy in heartbreak in my little Living Wage short, Symbolic Gestures.
-Ryan's sultry stage directions, which turned the sex-role-playing scene of The Misogynist up a few degrees
-Ken's brief but memorable turn as Scaramanga in Unplugged In
-Richard's unsettling/charming delivery of Turlough in Carrin Beginning

What were your thoughts? Did you like a happy ending Misogynist? And what do you think will happen in the power struggle between Mayra and Louisa in The Spell Caster? Read the full story